We followed this online tutorial today to interact with a microphone using ActionScript 2.0 and it is working fine.
Hiccup: iMac will not detect sound input from a microphone unless the mic is connected via USB. We tried using a Sennheiser mic, with a ¼" to 3.5mm jack converter, connected to the iMac's audio-out port.
The solution offered in relevant online forums is the iMic. In the meantime, for test purposes, we will use my Wii Band Hero microphone.
For this project we are using ActionScript 3.0 in Flash CS4. As a programming foundation to detect microphone activity, we will use source code from Adobe ActionScript 3.0 help files.
Annie.
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31 January 2011
24 January 2011
Shopping List
rePLAY will feature unique and fun handcrafted soft circuits.
These circuits are a range of designs, in fabric and yarn, custom-made to cover various types of sensors such as pressure sensors, stoke, stretch and tilt potentiometer. A microphone and a toy paper windmill will be used as sensors that a user blows into.
Designs will take the form of organic matter found in a forest environment, for example origami flowers or conductive play-dough rocks. In addition, rePLAY may have hand-drawn circuits; using paper and conductive paint.
Shopping around for ideas; we may or may not use some or all of these.
Conductive Materials

Conductive Fabric
Conductive Yarn (pictured)
Fabric Paint
Fabric Spray
Electrically Conductive Silver Paint
Components
Screw Shield (Terminal Strip) Kit for Arduino
Arduino | LilyPad Arduino
places to shop online for components and kits...
.:oomlout:., Cool Components, Technobots, SKPang Electronics
Interaction Inspiration
examples of existing soft-circuit sensors
Squishy Circuits
Circular Knit Inflation Sensor
Knitted Stretch Sensor
Conductive Pom Pom
Crochet Tilt Potentimeter
Flexible Fabric Pressure Sensor
Zip Switch / Zip Slider
Tilt Sensor
Annie.
Tweet
These circuits are a range of designs, in fabric and yarn, custom-made to cover various types of sensors such as pressure sensors, stoke, stretch and tilt potentiometer. A microphone and a toy paper windmill will be used as sensors that a user blows into.
Designs will take the form of organic matter found in a forest environment, for example origami flowers or conductive play-dough rocks. In addition, rePLAY may have hand-drawn circuits; using paper and conductive paint.
Shopping around for ideas; we may or may not use some or all of these.
Conductive Materials

Conductive Fabric
Conductive Yarn (pictured)
Fabric Paint
Fabric Spray
Electrically Conductive Silver Paint
Components
Screw Shield (Terminal Strip) Kit for Arduino
Arduino | LilyPad Arduino
places to shop online for components and kits...
.:oomlout:., Cool Components, Technobots, SKPang Electronics
Interaction Inspiration
examples of existing soft-circuit sensors
Squishy Circuits
Circular Knit Inflation Sensor
Knitted Stretch Sensor
Conductive Pom Pom
Crochet Tilt Potentimeter
Flexible Fabric Pressure Sensor
Zip Switch / Zip Slider
Tilt Sensor
Annie.
Tweet
14 January 2011
Script in progress...a taster
Well, Christmas is over and the real work begins, Just a quick update on the progress of replay,
Its been hectic over Christmas but we've tried to keep our group project in mind, and are constantly keeping our eyes peeled for inspiration as well as researching and putting together our script which is due the 3 of February!
I have been researching our narrative and trying to fine tune it, researching Karl Jung more in depth, creating and finalising characters to give depth to our story. With particular emphasis on symbolism, what each one of our characters represents, with regards our story, the tying together of the narrative and also what the user is going to get from interacting with these characters and symbols, which is after all the most important thing!
I have been researching the character of the shadow, who is representing the dark side, or subconscious part of our user and indeed the forest. I have been researching what the subconscious means, what our shadow represents and reasons behind why our character must overcome this character to progress in our interactive piece.I feel like the shadow in our peice is a strong symbol that we can wokrk with as we are trying to bring out the light playful side in our user as well as visually in our animation, we must first concur the darker side of ourselves, that everyone faces.Beneath the social mask we wear every day, we have a hidden shadow side: an impulsive, wounded, sad, or isolated part that we generally try to ignore.Bringing Shadow material into consciousness drains its dark power, and can even recover valuable resources from it. The greatest power, however, comes from having accepted your shadow parts and integrated them as components of your Self."
WHAT WE DO NOT DARE LOOK AT, WITHIN OURSELVES, WE TEND TO PROJECT OUT ONTO OTHERS. In our instnce the shadow creature. By Facing it we start on a path to enlightening replay forest and hopefully the user.
Its been hectic over Christmas but we've tried to keep our group project in mind, and are constantly keeping our eyes peeled for inspiration as well as researching and putting together our script which is due the 3 of February!
I have been researching our narrative and trying to fine tune it, researching Karl Jung more in depth, creating and finalising characters to give depth to our story. With particular emphasis on symbolism, what each one of our characters represents, with regards our story, the tying together of the narrative and also what the user is going to get from interacting with these characters and symbols, which is after all the most important thing!
I have been researching the character of the shadow, who is representing the dark side, or subconscious part of our user and indeed the forest. I have been researching what the subconscious means, what our shadow represents and reasons behind why our character must overcome this character to progress in our interactive piece.I feel like the shadow in our peice is a strong symbol that we can wokrk with as we are trying to bring out the light playful side in our user as well as visually in our animation, we must first concur the darker side of ourselves, that everyone faces.Beneath the social mask we wear every day, we have a hidden shadow side: an impulsive, wounded, sad, or isolated part that we generally try to ignore.Bringing Shadow material into consciousness drains its dark power, and can even recover valuable resources from it. The greatest power, however, comes from having accepted your shadow parts and integrated them as components of your Self."
WHAT WE DO NOT DARE LOOK AT, WITHIN OURSELVES, WE TEND TO PROJECT OUT ONTO OTHERS. In our instnce the shadow creature. By Facing it we start on a path to enlightening replay forest and hopefully the user.
This is just a snippet of the character research i have been doing into our narrative, along with this, we have been looking at animations, with Fodhla researching different styles and methods of animation, from shadows, stop motion, flash etc.
Alanagh has been tirelessly working on graphics and character development nd the look of the characters as well as working with fodhla to identify a strong motif to our project to really make us stand out. Pictures and drawings to come in next update!
Annie has been working away on interactions thinking and researching new and exciting ways of making unusual tangible interactions, right now she has been working with textiles and researching buttons that will tie into our project, as well as keeping our tweets updated, you can tweet us @rePLAYforest
so guys that was just a quick update on our progress and where we're at right now, more frequent updates to follow with regular updates frfom all the team on the blog and twitter!!
Siobhán
28 November 2010
A little more of what inspires us..
Carl Jung
The Swiss psychiatrist Carl Gustav Jung founded analytic psychology at the turn of the last century. This discipline emphasizes the value of one’s creative forces and one’s development toward wholeness.
In his effort to understand and engage the whole person, Jung viewed his analytical psychology as a therapy which releases creativity and promotes individual psychological development. Thus, far from being just another theory, Jungian psychology embraces the universe in all its manifestations: art, history, myth, philosophy, and spirituality are all essential components of Jung’s worldview.
Carl jung carefully recorded his dreams, fantasies, and visions.He found that his experiences tended to form themselves into persons, beginning with a wise old man and his companion, a little girl. The wise old man evolved, over a number of dreams, into a sort of spiritual guru. The little girl became "anima," the feminine soul, who served as his main medium of communication with the deeper aspects of his unconscious.A leathery brown dwarf would show up guarding the entrance to the unconscious. He was "the shadow," a primitive companion for Jung's ego.
The Role of Play in Adulthood
Imagination is an important part of mental health self expression and creativity according to the encyclopedia of adulthood as we go into adulthood we encounter obstacles to the development of creativity and self expressiveness are encountered. Play is a necessary relief from the seriousness of life.
Siobhán.
Tweet
In his effort to understand and engage the whole person, Jung viewed his analytical psychology as a therapy which releases creativity and promotes individual psychological development. Thus, far from being just another theory, Jungian psychology embraces the universe in all its manifestations: art, history, myth, philosophy, and spirituality are all essential components of Jung’s worldview.
Carl jung carefully recorded his dreams, fantasies, and visions.He found that his experiences tended to form themselves into persons, beginning with a wise old man and his companion, a little girl. The wise old man evolved, over a number of dreams, into a sort of spiritual guru. The little girl became "anima," the feminine soul, who served as his main medium of communication with the deeper aspects of his unconscious.A leathery brown dwarf would show up guarding the entrance to the unconscious. He was "the shadow," a primitive companion for Jung's ego.
Allowing waking consciousness to furnish our only psychological point of view holds our educational efforts to a fixed way of seeing, of feeling, of knowing and of understanding in such a way that it unexpectedly restricts the very innovation, imagination and creativity that we wish to cultivate...
Source: Depth Psychology and Giftedness: Bringing Soul to the Field of Talent Development and Giftedness by F. Christopher Reynolds & Jane Piirto
Reference: http://webspace.ship.edu/cgboer/jung.html
The Role of Play in Adulthood
Imagination is an important part of mental health self expression and creativity according to the encyclopedia of adulthood as we go into adulthood we encounter obstacles to the development of creativity and self expressiveness are encountered. Play is a necessary relief from the seriousness of life.
Siobhán.
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